Saying Goodbye To The Kojo Nnamdi Show
On this last episode, we look back on 23 years of joyous, difficult and always informative conversation.
Although New York City became the epicenter of jazz during the 20th century, Washington –the home of “Black Broadway”– also cultivated its own unique scene where women played an important, but often under-acknowledged role. While that remains true today, the legacies of local musicians like vocalist Shirley Horn and pianist Geri Allen inspire today’s local artists, many of whom are now performing in this year’s D.C. Jazz Festival. In the midst of the annual event, which runs through June 17, Kojo sits down with women in Washington’s jazz scene — and takes in a bit of live music.
The 2018 DC Jazz Festival Is Jam-Packed. We Picked The Best Of It For You
DCist’s rebirth coincides with an annual highlight of the District’s jazz calendar: The DC Jazz Festival. Now in its fourteenth iteration, the festival seems to have fully recovered from the economic crisis that dealt severe blows to most arts organizations, and the leadership team led by Executive Director Sunny Sumter and Artistic Director Willard Jenkins is on firm footing..
On this last episode, we look back on 23 years of joyous, difficult and always informative conversation.
Kojo talks with author Briana Thomas about her book “Black Broadway In Washington D.C.,” and the District’s rich Black history.
Poet, essayist and editor Kevin Young is the second director of the Smithsonian's National Museum of African American History and Culture. He joins Kojo to talk about his vision for the museum and how it can help us make sense of this moment in history.
Ms. Woodruff joins us to talk about her successful career in broadcasting, how the field of journalism has changed over the decades and why she chose to make D.C. home.