Saying Goodbye To The Kojo Nnamdi Show
On this last episode, we look back on 23 years of joyous, difficult and always informative conversation.
Struggling playwrights know that bringing a work from the written page to the stage can be a tour-de-force. Many promising dramas never see the light of day because of challenges ranging from theater politics to financing and production costs. But a growing movement in D.C. aims to bring locally written and produced plays to the stage using a non-traditional “collective theater” model. In our region, three plays by a collective called “The Welders” are already reaping dividends for audiences and dramaturges alike. Kojo learns what this model is all about from a founder of D.C.’s collective theater movement, and he finds out how it’s changing regional theater making.
On this last episode, we look back on 23 years of joyous, difficult and always informative conversation.
Kojo talks with author Briana Thomas about her book “Black Broadway In Washington D.C.,” and the District’s rich Black history.
Poet, essayist and editor Kevin Young is the second director of the Smithsonian's National Museum of African American History and Culture. He joins Kojo to talk about his vision for the museum and how it can help us make sense of this moment in history.
Ms. Woodruff joins us to talk about her successful career in broadcasting, how the field of journalism has changed over the decades and why she chose to make D.C. home.